I grew up in my father’s lawn mower business. It was hard to love that, but even as a child I understood that it supported our family. My mother and sister had a florist shop downtown in Vandalia, Illinois. Talk around home was about landscaping and flowers and plants. By age 13 I was working at both businesses in bookkeeping, shipping, making corsages, running errands and whatever else was needed. I wanted to be a biologist and was totally fascinated by nature, but mostly by animals in and around water. All of this led to a growing interest in bonsai and koi ponds. A brief trip to Japan about ten years ago really brought this fascination to life and now bonsai and koi represent a significant portion of our gardening efforts at home.
This week, my wife and I are in Japan, visiting friends and spending a week of vacation. We began our week in Tokyo with sushi for breakfast in Tsukiji Market. Then we boarded the Tokyo subway and traveled forty minutes to the northeast to visit the Shunkaen Bonsai Museum and meet Bonsai Master Kunio Kobayashi. The high stucco wall on the outside gave us no idea what was inside. Just a sign in Japanese identified the place. We entered through a doorway and met Valentine, a young man from Germany, who invited us to pay the 800 Yen (about $9) to enter and led us on a fascinating interpretive tour.
Valentine explained that he came to Japan to study with Kobayashi-san two years ago. He will spend four to five years in his apprenticeship to the bonsai master. He showed us around the collection of famous bonsai trees of 500 or more years old, many that had been previously owned by well-known and important people around the world. One is valued at more than one million dollars. We saw the bonsai “hotel” where customers can store individual bonsai plants for weeks, months, or years at a time and know they will be well cared for. The continuous work of the master and his apprentices can be viewed by guests throughout their visit as plants are moved, potted, shaped, trimmed, and watered in a calming bustle of daily activity all around the grounds. A display building constructed in traditional style with tatami floor mats and natural wood was a highlight of the visit. Valentine invited us to remove our shoes as we entered the building to observe the custom common in traditional homes and buildings.
The exhibits in the museum were extraordinary in their simplicity. One exhibit contains a very old and interesting bonsai tree on one side of a well lit niche. A painting hangs in the center with an image of the sun and water below. A small statue on the far left of a man wearing traditional robes sits on a raised wooden platform. Together they create a unity of form that is elegant in its simplicity. Valentine explained that the beauty of simplicity is valued in this expression of art.
We ended our tour with a cup of green tea and a visit with Master Kobayashi. The museum sells a book about Kobayashi-san and his life’s work and one wall of the final tearoom displays memorabilia from bonsai competitions, but most of the museum lacks any written or descriptions of the collections. The grounds, buildings and tour blend together in harmonious union, providing what was for me, a completely satisfying experience that was a great example of good interpretation. We came away with a new understanding of the significance of bonsai and how it represents the beauty of simplicity and connection to nature – two very important aspects of Japanese culture.
- Tim Merriman














