We are in San Antonio teaching an Interpretive Trainers course this week. And our timing was great. I sometimes check to see if any interesting events are happening where we stay while training. Garrison Keillor’s Summer Love Tour happened to be in the Majestic Theater on Tuesday evening. We bought tickets over the Internet. Dinner at La Paloma on the Riverwalk started the evening after a day in the classroom. Then we entered the incredible beauty of the Majestic.
Built in 1929 by John Ebersole in what is called Mediterranean style, the interior is stunning with a sculptured wooden ceiling in the entry way and a wonderful night sky with moving clouds for a ceiling in the theater itself. With over 2300 seats and three balconies on each side it is big enough to host touring Broadway plays or star performers. The thirty minutes of waiting for the show was just a great time to sit and enjoy a wonderful work of architecture that was renovated in 1989. When we find ways to revive such works of art, we do something wonderful.
The Prairie Home Companion show began at 8 PM and lasted till past 11 PM with Garrison Keillor on stage virtually the whole time, and performing much of it. His wit, humor and Lake Woebegone storytelling are familiar to those of us hooked on the show from its many years on National Public Radio. Songwriter, singer, fiddler Sara Watkins of Nickel Creek was stunning. Fred Newman’s sound effects were incredible to watch and hear as Keillor put this great actor, sriter, musician and sound designer through an astonishing journey of sound effects based on a totally improbable story. The Guy’s All-Star Shoe Band sounds good on the radio and just fabulous in person. You’re right. I loved the show.
But I had to write about this because of the intermission. The show was merely great. The Intermission was sheer MAGIC in its simplicity. An hour and a half into the show, Keillor said something like “It’s time for the singing intermission.” He had everyone stand and invited those needing a break to leave as he invited those who stayed to sing with him. He began with America the Beautiful and it led into Red River Valley. Then it turned into Amazing Grace. With each song the volume of voices, nuances of harmony and emotion built. The buzz of people chatting was missing and the complete connection of strangers sharing Americana through music prevailed. I had tears welling in my eyes and saw others reach for handkerchiefs. It was hard to describe the great sense of collaboration and joy from the simple act of singing with a Keillor standing on the front steps of the stage. The band was on break. It was just the voices of happy people united by familiarity and the sense of place.
Everything in the show was good, but somehow the show itself served as a frame for an Intermission to remember. I enjoyed every moment of the evening. I was reminded again of the power of music to bring people together. Garrison Keillor knows well the magic he is creating and he seems most at home leading people down the melodious halls of songs we know well and love.
It is a reminder for all of us who hope to connect people to places, events and stories that shared music and culture are powerful. Clever writing, great instrumentals and guest stars are interesting and very entertaining. And yet some of the most simple efforts to unite people in song or shared cultural experiences are magical.
-Tim Merriman























